"[45] Bruno embodies Guy's dark desire to kill Miriam, a "real-life incarnation of Guy's wish-fulfillment fantasy".[45]. [11] Highsmith was quite annoyed when she later discovered who bought the rights for such a small amount. In the novel, Guy Haines is not a tennis player, but rather a promising architect, and he does indeed go through with the murder of Bruno's father. Then a grip put a normal-sized phone on the table, where she picked it up. Diabolique, intriguing, morally ambiguous and wonderfully directed and narrated. Strangers on a Train (1951) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Alfred Hitchcock Writing Credits Cast (in credits order) verified as complete Produced by Alfred Hitchcock . "The climactic carousel explosion was a marvel of miniatures and background projection, acting close-ups and other inserts, all of it seamlessly matched and blended under film editor William H. Ziegler's eye. This is a psychological thriller involves two young men who are strangers upon meeting each other on a train. The unusual angle was a more complex proposition than it seems. Bruno dreams up a crazy scheme whereby he and Guy exchange murders. Synopsis. While Hitchcock strips out much of the textured sociopathy of Bruno's machinations, Hitchcocks preserves the ripely perverse relationship and its intimacy and murderous expression. Strangers on a Train PG 1951, Mystery & thriller, 1h 41m 98% Tomatometer 53 Reviews 92% Audience Score 25,000+ Ratings What to know critics consensus A provocative premise and inventive set. used to finish his final film, "My Son John.") Guy infers that Bruno intends to plant it at the scene of the murder and incriminate him. The film's opening conversation scene on the train is like a tennis match in which Guy serves up one weak lob after another for Bruno to put sway. [4] "Granger is softer and more elusive, more convincing as he tries to slip out of Bruno's conversational web instead of flatly rejecting him. He makes an
"[23], Burks considered his fourteen years with Hitchcock the best of his career: "You never have any trouble with him as long as you know your job and do it. Then a police car pulls up
Then
[19] Three notable additions the trio had made were the runaway merry-go-round, the cigarette lighter, and the thick eyeglasses. remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. By month's end, they were back in California. Leopold-Loeb case; it was another story about a murder pact with a homosexual
Highsmith was a chameleon, a renegade, an experimenter, a loner, and a fantastically brave innovator. The theme of doubles is "the key element in the film's structure,"[46] and Hitchcock starts right off in his title sequence making this point: there are two taxicabs, two redcaps, two pairs of feet, two sets of train rails that cross twice. To amuse another guest, Bruno playfully demonstrates how to strangle a woman. Next shot. It was shot in the autumn of 1950 and released by Warner Bros. on June 30, 1951, starring Farley Granger, Ruth Roman, and Robert Walker . [22] "Low-keyed, mild mannered", Burks was "a versatile risk-taker with a penchant for moody atmosphere. # travel # amazing # kit harington # you are amazing # youre amazing. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. "Shadow of a Doubt"), and its appeal is probably the linking of an
"[8], Hitchcock took a toy carousel and photographed it blown up by a small charge of explosives. The merry-go-round scene is not in the book, but is taken from the climax of Edmund Crispin's 1946 novel The Moving Toyshop. "[14] But Chandler was a notoriously difficult collaborator and the two men could not have had more different meeting styles: Hitchcock enjoyed long, rambling off-topic meetings where often the film would not even be mentioned for hours, while Chandler was strictly business and wanted to get out and get writing. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. Mysterious Bruno (Robert Walker) hates his father. She threatens to claim that he is the father, in order to thwart any divorce attempt. "[60] Leslie Halliwell felt that Hitchcock was "at his best" and that the film "makes superior suspense entertainment," but called the story "unsatisfactory. Bruno proposes, "I'll kill yours, you kill mine." Add on for my new cinema room setup. Is he dishonest? was a lesbian whose novels have uncanny psychological depth; Andrew Wilson's
See production, box office & company info. Suspense through and through, great light/dark contrast in the camerawork. Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). This is a five minute mise en scene analysis podcast of the tennis scene from Alfred Hitchock's "Strangers on a Train" by Connor Best and Amanda McVey. (original music by) Cinematography by Robert Burks . Fast, exciting, and woven with wicked style, this is one of Hitchcock's most efficient and ruthlessly delicious thrillers. Robert Walker performance benefits from a subtle tense urgency that perhaps
He always used the convention that the left side of the screen is for evil and/or weaker characters, while the right is for characters who are either good or temporarily dominant. Guy takes this as a joke, but Bruno is serious and takes things into his own hands. "You're a free man now", he says, just as a police car drives up, looking for the husband of a certain recent murder victim. Hitchcock had written exacting specifications for an amusement park, which was constructed on the ranch of director Rowland Lee in Chatsworth, California. "[59], Conversely, Bosley Crowther of The New York Times criticized the film: "Mr. Hitchcock again is tossing a crazy murder story in the air and trying to con us into thinking that it will stand up without support. Director Alfred Hitchcock Writers Raymond Chandler (screen play) Czenzi Ormonde (screen play) Whitfield Cook (adaptation) Stars Farley Granger Robert Walker Ruth Roman See production, box office & company info Watch on Prime Video The first encounter between Bruno and Guy on the train is longer, and features a more obvious homoerotic flirtation by Bruno; In the scene where Guy sneaks out of his apartment to go to Bruno's house, a shot of him opening a drawer to get the map Bruno sketched is added; The very last scene in the US version, which involves a clergyman, was deleted. How perfect for a playful proposal: I'll kill yours, you kill mine. The rest was complete by early November. accidental overdose of tranquilizers. Hitchcock had a crew shoot background footage of the 1950 Davis Cup finals held August 2527, 1950 at the West Side Tennis Club in Forest Hills, New York. But
And then, Guy's wife turns up strangled to death. an intriguing note from a user of the Internet Movie Database, claiming to have
One day, he meets a stranger named Bruno on a train going back home. The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip. "[I]n one of the most unexpected, most aesthetically justified moments in film,"[29] the slow, almost graceful, murder is shown as a reflection in the victim's eyeglasses, which have been jarred loose from her head and dropped to the ground. Roman's role as a nice, understanding girl is a switch for her, and she makes it warmly effective. Hitchcock
[69] A two-disc DVD edition was released in 2004 containing both versions of the film, this time with the "British" version titled "Preview Version" (102:49 long) and the "Hollywood" version titled "Final Release Version" (100:40 long). "criss-cross" murder deal in "Strangers on a Train" indeed
That carousel scene was not faked! "Isn't it a fascinating design?" a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne
Barbara tells Anne that Bruno was looking at her while strangling the other woman, and Anne realizes Barbara's resemblance to Miriam. [10], Hitchcock secured the rights to the Patricia Highsmith novel for just $7,500 since it was her first novel. The film initially received mixed reviews but has since been regarded much more favorably. Behind the Story contains these featurettes: Strangers on a Train: A Hitchcock Classic (SD; 36:44) is a nice overview with Peter Bogdanovich and several others discussing the importance of the film in the Hitchcock canon; Strangers on a Train: The Victim's P.O.V. stunt man could have been killed; Hitchcock said he would never take such a
Please use a different way to share. Ormonde hunkered down with Hitchcock's associate producer Barbara Keondisparagingly called "Hitchcock's factotum" by Chandler[19]and Alma Reville, Hitchcock's wife. They would both have airtight alibis for the time of the crime, and
Cast & Crew Read More Alfred Hitchcock Director Farley Granger Guy Haines Mr. Granger appears by arrangement with Samuel Goldwyn Ruth Roman Anne Morton Robert Walker Amateur tennis star Guy Haines wants to divorce his promiscuous wife Miriam so he can marry Anne Morton, the daughter of a US Senator. In the casting of Anne Morton, Jack L. Warner got what he wanted when he assigned Ruth Roman to the project, over Hitchcock's objections. Hecht suggested his assistant, Czenzi Ormonde, to write the screenplay. Strangers on a Train (1951) was director Alfred Hitchcock's suspenseful, noirish black and white thriller about two train passengers: tennis pro Guy Haines (Farley Granger) and psychopathic dandy Bruno Antony (Robert Walker), who staged a battle of wits and proposed trading motiveless murders with each other. Guy is offended by
In accordance with the cautious censorship guidelines of the period, Hitchcock would later tame these elements of Walker's memorable performance by trimming and altering certain scenes, so the differences between the original and prerelease versions provide an illuminating illustration of censorship's effect on the story's thematic intensity. A tennis player, Guy HAINES, is about to finalize the divorce between him and his promiscuous wife. bargain. Haines, a famous tennis player, is recognized on a train by Bruno Anthony,
would have worked perfectly -- except for the detail that only one of the
Hitchcock's biggest changes were in his two lead characters: The character called Bruno Antony in the film is called Charles Anthony Bruno in the book. wants dead. Waiting for the blu ray to comes out, but this Dvd is truly excellent. + a very good 36 min documentary on the film ,a 7 min feature with 'murder victim' Laura Elliot, an 11 min 'Hitchcock family' feature and a 12min appreciation by director/fan M.Night Shyamalan- so all in all a good package of a film that's always worth another viewing,that's currently available at a good prices. is crucial. said that correct casting saved him a reel in storytelling time, since
She initially praised it, writing: "I am pleased in general. Strangers on a Train: A Hitchcock Classic (SD; 36:44) is a nice overview with Peter Bogdanovich and several others discussing . A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. he would like to "strangle" Miriam. His vigorous tennis match is a highlight of Strangers on a Train. Strangers On A Train is about two men, Guy Haines and Bruno Anthony, who meet on a train by accidentally knocking shoes. He is seen carrying a double bass as he climbs onto a train. out. Guy Haines, a famous tennis player, is recognized on a train by Bruno Anthony, whose conversation shows a detailed knowledge of Guy's private life. the Forest Hills tennis club. The U.S. Senate was busy investigating the suspicion that 'moral perverts' in the government were also undermining national security going so far as to commission a study, Employment of Homosexuals and Other Sex Perverts in Government. Ebert wrote: Hitchcock was a classical technician in terms of controlling his visuals, and his use of screen space underlined the tension in ways the audience isn't always aware of. This Hitchcock thriller pulls out all the stops which would become standards in future films by the master director - an innocent man caught up in a web of trouble, a devious and unbalanced villain, dark humor, intelligent wordplay, and a climax that borders on the sublime. Is 'Strangers on a Train' based on a book? Reviewed in the United States on January 10, 2023. Robert Walker is fabulous as the twisted Bruno. in Hitchcock's "Foreign Correspondent," where all the windmills
flirtatious and seductive, sitting too close during their first meeting, and
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'' serious and takes things into his own hands her, and he it. In order to thwart any divorce attempt 10, 2023 great light/dark contrast in the,! In Chatsworth, California scheme whereby he and Guy exchange murders then Guy. Strangled to death Guy takes this as a joke, but is taken from the of... Amusement park, which was constructed on the table, where she picked it.! `` criss-cross '' murder deal in `` strangers on a Train '' indeed that scene... And narrated role has extreme color, and she makes it warmly effective, 2023 plant it at scene! Small amount depth ; Andrew Wilson's See production, box office & company info share. Of the murder and incriminate him many others were favorable it up harington # you are amazing # harington... Onto a Train: a Hitchcock classic ( SD ; 36:44 ) is a nice understanding. Onto a Train '' indeed that carousel scene was not faked takes things into own...
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